Christina Athinodorou (b. 1981) is a Greek-Cypriot composer whose catalogue comprises of more than 70 compositions to date, written for instrumental, vocal and electronic forces, from solo to orchestra, multidisciplinary projects and opera. Her music is marked by her strong preoccupation with pacing and with the treatment of light.
In recognition of her “captivating” orchestral writing, works such asVotrys for Symphony Orchestra (2014), Intermède pour une mer jamais vue (2012) – a commission from Radio France, SACEM and Musique Nouvelle en Liberté, Alma for solo viola and orchestra (2012), Quatre Silences for orchestra (2008), Naked Branches, I for string orchestra (2006) and others, have received awards and performances by symphony orchestras including the Tonkünstler Orchester, Jyväskylä Sinfonia Finlandia, St Petersburg State Academic Symphony Orchestra, Athens State Orchestra, Orchestre National d’Île-de-France etc. Recent additions to her growing symphonic catalogue include Sails (2018) and Thérapía (2024).
In the operatic sphere, and following her early one-act opera Ita Vivam commissioned by the Guildhall School of Music and Drama, Christina has been developing the concept of the vocal drama, having composed Ma Mèr(e) Méditerranée (2019-20) a commission by La Monnaie, Brussels; and Un Silence Extraordinaire (2023) commissioned by the Festival d’Aix-en-Provence.
Working with languages and on the refined connection between text and sound in chamber music too, Christina has produced “atmospheric, strangely fascinating” scores, such as De l’ Âme for a capella Choir (2010-11) and thou Art with me for Solo violin (2020) which “embarks on a musical quest for a new perspective on religion and spirituality”, by employing the speaking and singing voice, and the body movement of the instrumentalist, as an integral part of this composition in “meditative, ethereal, tender tones”.
Often exploring fluctuation, frequency range, timbre and multi-layered flow, from a technical and a poetic point of view, much of Christina’s music is inspired by the sea. Such works include Aktaí, for ensemble, Olkàs for ensemble, Aigaio In Memoriam Ilias Venezis for 12 celli, and X-Île for ensemble among others, reaching audiences in important festivals such as the MITO Settembre, the Venice Biennale, the Music Biennale Zagreb, Musikprotkoll and the ISCM World New Music Days. Besides, her output in chamber and ensemble music to this day, manifests the important role of extended techniques in her process of dealing with both innovative and traditional formations, in collaborations with some of the most remarkable ensembles and musicians of our time (Het Collectief, Klangforum Wien, Ensemble Aleph, Zeitfluss, Elias String Quartet, Ergon Ensemble, DissonArt, Quartetto Maurice, Alda Dizdari, Claude Delangle etc). Examples include works such as En Root a trio for clarinet, cello and piano, Erot[onde]as for ensemble, Pausilypon for string quartet, and Messa Aktis, a piece recently released on an album by Trio&Co.
Significant prizes include the Prix du Jury and Prix du coup de cœur du public (Île-de-Créations 2013), the 2nd Prize in the 1st Sibelius Competition (2015) and the Finalist Honorable Mention in the 6th Prokofiev Competition (2012).
Christina was born in the heritage-laden town of Paphos in Cyprus. She graduated from the Guildhall School of Music and Drama in London, and was awarded with a PhD from the Royal Holloway University of London. She also lived in Paris and Athens and she has pursued courses complementing her composition degrees, including byzantine music and conducting. Christina was a Composer-in-Residence at the Queen Elisabeth Music Chapel, the CAMAC, and the Cité des Arts in Paris.
© Not to be altered without permission
Not to be altered without permission © Christina Athinodorou 2025